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“Right here, right now #5” reveals more to us than any episode has so far, but in doing so, it also shows us just how little we know about the characters.
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Climate change and the cultural obstacles in adjusting to the legal marijuana marketplace are primary motifs throughout the film, but it is difficult to pinpoint a central message.
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“Alice Street” excels because of its focus on communities of color, giving them the space to build the film’s narrative.
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Comparisons to “Hill House” automatically put any follow-ups at a disadvantage, but even taken on its own terms, “Bly Manor” sorely disappoints in nearly every regard.
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In an interview with The Daily Californian, Cohen discussed her original inspiration — an examination of terroir in both cannabis and wine production — and how this message changed as the film developed.
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The new docuseries “Equal” seeks to be a fresh insight into the earliest stages of Queer visibility — years before the Stonewall riots even began.
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Since its inception, the Mill Valley Film Festival has blossomed into an exciting Bay Area tradition, attracting awarded filmmakers, actors and veterans of the entertainment industry, as well as aspiring newcomers and promising debuts.
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The film is what “Scott Pilgrim vs. the World” would look like if a 14-year-old boy watched it once, described what happens and then had a studio turn it into a feature film.
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After sifting through nearly 400 submissions, the San Francisco Greek Film Festival boiled its lineup down to 18 films, which were available for attendees to access online and free of charge from Oct. 3-10.
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“The Boys” season two digs even deeper into its star characters while continuing to explore the horrors of corporate, neoliberal America.
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