Film & Television

After last week’s Earth-shattering death, the tightly contained “Honeymoon States” delivers sky high stakes and searing one-liners as the siblings come home to a haunted house full of “roses and rotting corpses.”

It’s Reichardt’s willingness to let a collective filmmaking process guide her, perhaps, that allows her meditative cinema to thrive.

Rich with history, the documentary “Living With Chucky” offers an intimate inside view of the renowned series, and while it occasionally loses focus, the documentary celebrates the franchise and the hours upon hours of hard work that launched it to success.

It sucks to work for Dracula — so says Chris McKay’s “Renfield,” the latest film to reincarnate Bram Stoker’s characters.

“Connor’s Wedding,” the third episode in the fourth and final season of “Succession,” is a deceptively innocent title for the most emotionally devastating hour of “Succession” yet.

Affleck’s directing strikes the perfect balance between humor and heart; Robert Richardson’s cinematography is dynamic and engaging; and the production design brilliantly embodies 1980s nostalgia.

Although its emotional ceiling is limited by its writing, "A Thousand and One" still delivers a moving, aesthetically cohesive selection of snapshots of one’s upbringing, all while acting as a remarkable case study of gentrification and poverty.

“Swarm” needs convicted characters and innovative direction to achieve the acclaim or cultural revelation Glover and Nabers show reaches for.

Borden appeared at BAMPFA the weekend of March 17-19 for a reverse-chronological showing of each film in the trilogy, beginning with “Working Girls,” followed by “Born in Flames,” and concluding with her first and long “closeted” feature, “Regrouping.”

n an interview with The Daily Californian, French indie filmmakers Lise Akoka and Romane Gueret described how they moved from filling the shots to calling the shots — and who inspired them to do so.