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Wong, the founder of the Disability Visibility Project and editor of the “ADA 30 in Color” series, said she had wanted to “recenter the work and the wisdom” of the disabled BIPOC community.
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Geffen described how the impacts of COVID-19 have forced many to confront how tenuous existence is at both the individual and organizational levels.
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“Ben and I found a lot of nuance in our performance and a lot of new things to add to the performance since the first time we did it in San Francisco, so we’re really excited to bring it back to San Francisco with everything we’ve learned in the U.K.,” Monsoon said.
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The urgency of Redmonde’s words was echoed by everything each speaker had to say, their presentations centering around both the personal and broader significance behind a bookstore that also has an active political presence in Berkeley and elsewhere.
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Each ensemble showcased the magnificence of its musical traditions and created a wonderful environment to get the audience grooving, providing an enticing sneak peek of the San Francisco Ethnic Dance Festival to come.
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Sneed made sure to keep the gospel sentiment strong in each song he played by eliciting audience interactions.
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Led by Rosen, the S.H.E. Fund’s benefit poetry reading event was an homage to the poetry that ignited the movement.
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It was an inescapable fact: This tour would be the swan song of celebrated Captain Hodgson’s topsy-turvy ship.
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With vehement downbeats, principal guest conductor Pinchas Zukerman led the philharmonic to fill Zellerbach Hall with sound and fury on Sunday.
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According to Hill, her career began without the pointed social awareness for which she is so well known.
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