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Serpell explained that the book’s title, “The Old Drift,” derives from the term for a cemetery, or “old drift” that lingered across the river right above Victoria Falls.
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In this part of the event, the pair proved to be perfect foils for each other. McDonald was purposefully loud where Major was soft.
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Besides the small blunders which were likely worked out in subsequent shows, “The First Wives Fight Club” dazzled and stunned.
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On a seemingly typical Tuesday afternoon last week, Wheeler Hall’s Maude Fife Room hosted a very special guest — Viet Thanh Nguyen, author of Pulitzer Prize winning novel, “The Sympathizer.”
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Glass’s seven selected truisms spanned from the pragmatic to the emotional playing into the principles of the first truism he introduced — “How to tell a story.” Glass leaned toward the broad, emphasizing “a story in its simplest form is about motion.”
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There’s a fine line between reflecting and appropriating a struggle, and Tut vocalized that the pair was very careful to not fall into the latter category.
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In an interview with The Daily Californian, cast member and former Daily Californian assistant social media editor Zahira Chaudhry described the experience as being “a very physical manifestation of what it feels like to be heard and respected and understood.”
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The talk, aptly titled “Rangers of the Lost Art: WPA Posters of the National Parks,” was hosted by Leen himself, who has spent much of the last 40 years in pursuit of recovering and restoring the 14 posters.
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In poignant moments such as these, the level of attention and care in the room was palpable — everyone was dedicating their whole selves to understand where the reader was coming from.
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Organized as part of the ARC’s global approach to the arts this year, four panels were held at the daylong conference, followed by three live art performances.
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