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Alternating between the exploration of feelings such as fantasy, heartbreak, disillusionment and oblivion, Dawn FM is The Weeknd’s most coherent and complex work to date.
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Combining grade-A production and unmatched lyrical cleverness, the record is a cheery listen that is certainly worth the 30-minute time investment.
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Kep1er makes an impressive and successful landing on the K-pop scene with First Impact. However, unlike an asteroid, the landing leaves very little lasting repercussions as the EP quickly grows stale upon second listen.
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Sawayama handed down a searing, dynamic performance, rife with spurts of energy and the occasional moment of wistful melancholy.
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Taking classic holiday cheer and elevating its bravado, “Holiday Gaiety” was an unapologetic celebration of queer culture and talent, ensuring that the love of the holiday season meant love for all.
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Though each song and each lyric feels incredibly intentional, the album is not meant to be pretty or polished.
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With a timbre delving into the waters of the psychedelic and funky, Black Pumas have fast-tracked a steady residence in the soundscape of tomorrow.
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Through Sneed’s musicality and showmanship, members of the hall were transported back and forth in era, or held in the present as a 25-minute rendition of a fluttery “Joy to the World” flew by in a joyous blur.
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With not a single dull moment throughout the night, Barnett proved herself to be just as talented a performer as she is a songwriter.
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Horn’s live performance took on a life of its own, as each improvisation came from the moment, specially crafted for the audience on that particular night. As Horn prepares for the release of her third studio album under her very own label, Empress Legacy Records, one can only wonder what new surprises she will share with her willing audience.
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