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With just an acoustic guitar, Pecknold traded in the songs’ grandiose studio recording arrangements for an understated and more intimate sound.
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Frankie and the Witch Fingers’ livestream was not only fun for the audience, but it was clear the band itself was thoroughly enjoying the performance.
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Yo-Yo Ma and Kathryn Stott stunned with genuine cultural connection, unmasked from the impenetrable highbrow.
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The concert was aesthetically chaotic, overwhelming the senses in the most brilliant of ways — a true, celestial voyage through Future Nostalgia.
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Virtual performances cannot match the euphoria of experiencing a show in person, but it was evident that The Vamps genuinely wanted nothing more than to give their fans a good time.
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The beauty of the performance was that absolutely no frills were even needed — no need to prance around the stage, employ pyrotechnics or display fancy backdrops often seen at live shows.
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After spending a year away from the stage, James Bay and his band were eager to get back into the limelight.
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Artists such as Phoebe Bridgers, Brittany Howard and Angel Olsen came together Oct. 25 in the laudable cause of raising money for Planned Parenthood and the sexual and reproductive health care it provides.
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“Where Do We Go?” presented an arresting technological display that made the event more than just a privatized concertgoing experience.
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Many of the event’s performances and interspersed comedic segments started off on a high note, and yet, by the end, they fell flat.
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