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With the backdrop of minimalistic electric guitar riffs, cutesy drum machines and overall enticing production, the album perfectly paints emotive pictures of melancholy all while remaining easy and fun to listen to.
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Here, the band maintains the signature raucous, fast energy of previous work, but also expertly pulls back when needed, making the moments of rage and commotion more daring and explosive.
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Taken as a whole, this short album testifies to Mars and .Paak’s confident mastery of R&B and retro music.
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Nausea is in vogue on Vu’s LP, coalescing into a debut that expertly displays the discomfort of youth.
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It can be nerve wracking to share such personal stories, and Humberstone is learning to embrace the magic that her music’s universality holds.
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Against the groggy vignette of a graying city, Davies Symphony Hall teemed with liveliness and brightened the day’s tune as the San Francisco Symphony performed its effervescent Dia de los Muertos concert.
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Head in the Clouds 2021 proved itself the strongest iteration yet of one of the newest festivals to emerge in the Los Angeles area.
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Some of the most unique performances of the day came from exhilarated rookie acts wanting everyone to simply have a good time.
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Day 1 was ruled by crowd favorites, with artists able to magnetically pull large audiences to their stages no matter the time of day.
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Tenenbaum and Lewin delivered a performance that lived-up to the quality of their musical recordings, even if it didn’t quite have a range to match.
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