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As SOB x RBE’s young fans pushed to the front of the crowd, it was clear that they had come for the group itself, not to see how it would fit into any Bay Area rap legacy that had come before it.
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In surveying the crowd gathered in anticipation for Tash Sultana, it was clear that the reggae/psychedelic rock star doesn’t just have casual fans.
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Like the near-weightless being that Florence Welch resembled upon her first careful step onstage, the group exceeded such anticipations, and then some.
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Though Blake didn’t put on a striking persona onstage, he easily won his audience over with his sonically deafening and visually exhilarating performance.
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Monáe recently came out as pansexual, which she addressed: “You guys got to find out a little bit more about how I like to love. Happy Pride forever!”
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Caesar ended on a high note — metaphorically, because he hardly needed to sing for his final number: his best-known track, “Get You.”
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Clad in a white crop top and transparent red pants, Morgue smiled hesitantly at the hundreds gathered before her before diving into her opening track.
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Though clad in a glimmering, multicolored sequined jacket, Freya Ridings’ set Saturday afternoon was anything but flashy.
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Even though The Weeknd’s music was well-received by the Friday night crowd, his concert wasn’t particularly inventive or original.
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Though bolstered by more than a few theatrics, LP advanced an overall cool and collected presence onstage, making the spectacle seemingly natural and easy.
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