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Episode nine of the second season of “High School Musical: The Musical: The Series” seems to reward the Wildcats for their hard work with spring break.
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Though the show is not able to capture the same lighthearted humor and complex dynamics, it certainly replicates the original’s endearing nature by utilizing a modern lens to expose the gossip about Manhattan’s elite.
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Ewing’s visual style is so smooth, so beautiful, it’s easy to fall into the trap of calling it simple. It is not.
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Grade: 4.0/5.0 It’s the summer of 1969 in Harlem, a buzzing neighborhood in Manhattan, New York. Children dance, couples hold hands and people tear up as they watch their favorite musicians perform songs that speak to their souls. At this event at Mount Morris Park, energy radiates from the crowd
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Like the chyron, the film’s whiffs of invention don’t make it past whiffs — “The Tomorrow War” is fun, but abandons its hints of ingenuity.
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First coming together through a series of college jam sessions and Craigslist searches, The Seshen has spent the last decade in an ebb and flow of creativity.
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D.W. Thomas’s debut feature film is awkward, but suitable to its premise as it navigates between different subplots and the typical gore and suspense of a scary movie.
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Exodus is by far the series’s technical peak. Gameplay is far more responsive than previous entries, and though it sacrifices some complexity, it benefits greatly from the increased accessibility.
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The eighth episode of season two of “High School Musical: The Musical: The Series” questions the strength of East High’s couples.
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“Zola,” with all of its potential for insanity, elects for a visually appealing but halting story of a night gone off of the rails.
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