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Thanks to Netflix’s newest concert movie of quarantine, “34+35” fans can step back into a pre-Positions soundscape to follow Ariana Grande through her “Sweetener World Tour.”
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With just an acoustic guitar, Pecknold traded in the songs’ grandiose studio recording arrangements for an understated and more intimate sound.
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Even if CD Projekt Red is able to fix all the glaring technical issues in Cyberpunk 2077, it will always be a shining beacon of everything wrong with the video game industry.
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In borrowing so much from the template of contemporary alternative and indie rock sounds, Foster The People sounds similar to but lesser than just about everyone, including itself.
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Though “Alligator Mouth, Tadpole Ass” leaves audiences entirely in self-reflection of its content, the production’s poignancy cannot be diminished, even in its multiple interpretations.
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The few merits of “Wild Mountain Thyme” are simply not enough to stave off the dry, convoluted execution of Shanley’s screenplay.
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This episode provides the show’s most involved character development yet, as the painful experiences and resilience of both Rue and Ali are revealed.
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“Chapter 16: The Rescue” opens with a bang, and the energy never wavers. Mando and company are on a mission to rescue Grogu from Moff Gideon, a quest that Mando has made clear will not be impeded by anyone.
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On “We Will Always Love You,” singer Blood Orange is an effervescent guide, a Virgil guiding the audience’s Dante into the underground.
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“I’m Your Woman” gets quite wrong the things it gets wrong and absolutely nails the things it gets right.
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