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Shit is probably a word thrown around often when discussing the work of Tim Heidecker and Eric Wareheim. Reactions such as “This is a load of shit!” or “Who put this shit on screen?” would not be uncommon coming from your average audience. And they would be factually correct. Tim
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You’ve heard it all before. Gangsta, old-school, new-school, indie, alternative and even ambient forms of hip-hop have all passed through your ears at some point in time or another. Well, how about future-space rap? This is exactly the genre under which Chiddy Bang classify their debut studio album Breakfast. After
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Melissa Hillman likes to wear many hats: artistic director of Impact Theatre, teacher with a dramatic arts PhD from Cal and self-proclaimed nerd. Above all, Hillman is also a mother. Not that her responsibility to her sons overrides everything, but she approaches all roles with the maternal instinct to help
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Ah, the ladies. I know a thing or two about them. Mainly because I am one of them. I think. I did find a hair growing on my chin that may be the first indication of a beard. But, nevertheless, I’m fairly certain I retain all the requisite parts: fallopian
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With hip-hop’s ever-changing spectrum of styles, you may be hard-pressed to find a rapper from back in the day that can still sound fresh. Ambient production is growing, as is the trend of incorporating genres from the complete opposite side of the soundscape. To have been around for 15 years
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The road to hell is paved with good conventions,” says the malapropian notary, Alphonse Lebel (David Strathairn), in a relatively lighthearted and seemingly inconsequential moment in Wajdi Mouawad’s, “Scorched,” which opened last week at the American Conservatory Theater in San Francisco. Yet nothing, no matter how lighthearted, can be taken
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J. Lo in terry cloth Juicy Couture reminding us, again, that she’s real. Ja Rule in a wife beater. Ashanti with red lips, hoops and a lace-up leather onesie? Ja Rule still in a wife beater. We have had some great times with Ja, tracks with wind instrumentals and women
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Introducing last Friday evening’s showing of “Story/Time,” presented by Cal Performances, Bill T. Jones strode to the center of Zellerbach stage, pausing. He made a simple request of the audience. “I would like you to do a little warm-up with me … a conceptual warm-up,” Jones began, asking the audience
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If I find something, I’m (going to) go hard at it.” So says Moe (not Mo) Green, the 23-year-old up-and-coming rapper from Vallejo, California who, so early on in his career, has opened for members of the legendary Wu-Tang Clan and done shows with hip-hop veterans like Sean Price —
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Film This Friday afternoon, at 3 p.m., the Berkeley Art Museum is hosting Film Forward, a colloquium on the state of film education, curation and criticism. Prominent Bay Area film personalities will be on the panel, including independent filmmakers Tiffany Shlain (“Connected”) and Barry Jenkins (“Medicine for Melancholy”), film journalists
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