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“Dos Estaciones” is as somber and candid as one might expect from a film fresh out of Sundance, but this Spanish-language feature has much more to offer than the beauty and buzz that surrounds it.
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Kogonoda’s latest is at once universally and deeply personally felt — a self-reflective, nuanced journey that uncovers hidden emotions and profundity within every viewer.
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“Master” wins because of its simplicity, effectiveness and wit, serving as a great addition to modern-day horror.
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The Sundance program showcases a unique array of stories spanning genre and perspective. At The Daily Californian, arts reporters Vincent Tran and Megha Ganapathy and arts editor Maya Thompson have stepped up to explore this vast selection.
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Carmichael’s directing style focuses on propelling the story forward, with each successive scene scaling the action up further.
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The source of Edee’s anguish finally comes into full focus, but, like so much of “Land,” is only meekly connected, forming a not so subtle caveat separated from the film’s core.
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In “Cryptozoo,” an intimate sex scene and occasional graphic violence work to make sure you know that this is not necessarily meant for children.
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“A Glitch in the Matrix” is a fun, mind-blowing watch that allows one’s mind to wander into the inconceivable. So, what if we are living in a simulation?
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Cage spends too much time listening to exposition and waiting for the surprisingly listless plot to push him into the next weird occurrence.
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If there’s anything to take away from this year’s Sundance Film Festival, it’s that someone will have made a tragic mistake if “Coda” doesn’t show up on the roster for several Academy Awards.
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