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A beloved, witty story brimming with confidence, style and a love for the color pink, “Legally Blonde” has found new life at UC Berkeley as BareStage Productions’ latest musical.
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In Celine Song’s play “Endlings,” the burdens and possibilities of storytelling all boil down to real estate.
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The play’s unusual staging is just one of its shining successes — any worries that the feature is gimmicky are quickly proved wrong.
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“Hotter Than Egypt” is a commendable investigation of the nuances of the emotional tug-of-war called love.
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“August: Osage County” brilliantly explores themes of addiction, love and generational trauma through the extended Weston family.
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This one-man production melds journalistic theater with comedy to analyze the sociopolitical impact of markers of division on individuals and communities.
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“A Grand Night for Singing” lived up to its name by presenting delightfully immersive amusement.
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Landmark Musical Theater’s “You’re a Good Man, Charlie Brown” is a fantastic musical production that appeals to all audiences, capturing the essence of childhood and Schulz’s cherished characters with ease.
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Despite its narrative shortcomings, “The Cursed Child” exalts theater as a medium much like a portkey, brimming with potential to transfix audiences and transport them to another world.
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With each new Shakespeare adaptation attempting to bring something new to these familiar stories, there comes the challenge of introducing original elements while preserving the essence of the Bard.
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