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One of the most important elements of performing Shakespeare for Kobori is being outdoors, something that has been instrumental for her as both a performer and a teaching artist.
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Medak zeroed in on the necessity of an audience, saying, “Discovering and rediscovering is the joy and the need for communal participation and for live (performance).”
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The premature end of South Bay’s 2019-2020 season brings consequences that don’t end with calendar shuffles and creative stoppages.
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“The Afterlife,” set in Soto’s hometown of Fresno, California, followed the events leading up to two teenagers’ deaths and explored what occurs after they die.
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Some of the blocking prevented the clarity of the visual comedy, but the arsonists’ use of proximity to intimidate the Biedermanns was a particularly strong staging choice.
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The play’s most striking aspect is undoubtedly Liliana Duque Piñeiro’s stage design.
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While these Beckett shows might not be at the top of the pile for theater companies looking to make a hefty profit, Anton’s Well provides the opportunity for Beckett fans to see these rarely produced shows until March 21.
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Using narrative-style exposition, Ecer tackles themes of environmental contamination, social division, immigration and gentrification in a captivatingly magical way.
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Interwoven with hilarity at every point, the production thrives on comedic absurdity, keeping audiences amused even as the show’s complex plot becomes muddled.
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“Gloria” controls the brilliant comedic energy throughout, emanating the flamboyance of television sitcoms.
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