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As the first female artistic director for the Lorraine Hansberry Theatre, Hall hopes to serve the local community’s needs above all else.
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For a show about such serious issues, “The Nesting Instinct” also succeeds by remaining easygoing and humorous.
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Daniel Thomas, 42nd Street Moon’s co-executive director, is excited to introduce the San Francisco theater company’s new five-show subscription service.
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Above all else, “In Love and Warcraft” remains a testament to the creativity of theater as an art form.
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Written after the 2016 presidential election, playwright Eliza Clark’s work is a multifaceted story that depicts a wide array of modern controversies.
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The company has made the virtual transition perceivably seamlessly, taking on relevant yet challenging subject matter in this play with ease in the virtual format.
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The radical choices these artists made to represent Black voices in a white-dominated theater is significant as we imagine a future of authentic Black representation onstage.
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“Natasha Banina” embraces the elements that distinguish virtual from staged performances.
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Part of this adaptation required overhauls and changes to the overall design of the show, which had once been modeled as a visually lively show, according to Morita.
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Thomas, alongside the rest of 42nd Street Moon’s staff, is working to find novel ways to continue interacting with audiences and artists via social media.
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