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Spectators at the Berkeley Repertory Theatre alternated between doubling over in laughter and sitting deep in pensive thought as they watched Chicano troupe Culture Clash perform brilliantly in “Culture Clash (Still) in America.”
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“PussyGrabbingREVENGE” isn’t just a cathartic piece of art — it’s a call to action. To what action? Maybe Magree herself doesn’t even know.
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Berkeley Playhouse revives this story outstandingly, proving to audiences why the musical deserved such recognition.
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He’s a connoisseur in all areas, and his solo act at The Marsh Berkeley demonstrates the amazing range he possesses.
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Cooper knows exactly when to “decorate” his performance and when to let his onstage presence be enough to convey that which he seeks to convey.
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For what it is, BroadwaySF’s production of “The SpongeBob Musical” did well at leaning into the campy humor of its source material, never trying to take itself more seriously than its audience.
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Each actor portrayed their characters’ singular perspectives as the musical’s narrative progressed, channeling the swoons and sorrows of every musical number.
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“The Lion, the Witch and the Wardrobe” is creative, simple and coordinated in a fashion that keeps kids in a state of wonder, bolstering children to enact and live their own fantastical dreams.
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All ideals are up for deliberation, and these notions become stuck in convoluted abstractions that lead to lost destinations rather than discoveries.
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The skills of the improvisers were all equally commendable, though uniquely oriented, with each person bringing their own versions of quick-witted humor to their performances.
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