Ben Rimalower self-discovers in ‘Patti Issues’

UC Berkeley alumnus returns with moving monologue

If you know Patti Lupone, you know she’s not someone to be messed with. For more than 30 years, this diva has ruled Broadway with an iron-clad grasp and a voice that says, “Fuck you, I’m amazing,” with every soaring note. Even as a child, Ben Rimalower could sense this
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BareStage founder returns to campus with one-man show

UC Berkeley alum and founding Artistic Director of BareStage Productions Ben Rimalower will be stopping by Berkeley next week for his original show, “Patti Issues” — a deeply personal monologue about the hardship of family, the majesty of musical theater and the power of Broadway extraordinaire Patti Lupone. The Daily
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‘Jersey Boys’ remains a classic

“You ask four guys how it happened, you get four different versions.” This is how Tommy DeVito, the brusque patriarch, introduces the story of how a ramshackle group of guys from New Jersey became one of the top-selling pop groups of all time — The Four Seasons. It’s a sordid
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‘The Ruling Class’ shines at UC Berkeley TDPS

TDPS’ black comedy proves to be a thoroughly entertaining performance

The 13th Earl of Gurney and his servant Tucker are standing center stage, and a noose is swinging below the Earl’s head. Tucker and the Earl exchange pleasantries, and eventually Tucker leaves the room, leaving the Earl and the noose to themselves. While delivering a nonsensical monologue, the Earl (played
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BareStage presents adult version of Peanuts comic

‘Dog Sees God’ brings Snoopy and Charlie Brown into 2013

When you open your newspaper (if those things even still exist) and turn to Charles M. Schulz’s legendary “Peanuts” comic strip, you know what to expect. There will be some Snoopy hijinks, a “good grief,” maybe some “wah-wahs” and most certainly an effervescent feeling of warmth bubbling somewhere in the
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“Our Practical Heaven” unmemorable at Aurora Theatre

Premiering at the Aurora Theatre this past week was local playwright Anthony Clarvoe’s “Our Practical Heaven” — a family dramedy consisting of a mere cast of six female characters differing greatly in terms of generations and personalities but strung together by the word “family”. Think “Divine Secrets of the Ya-Ya
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SF Playhouse tips its hat to “Motherfucker”

Hats have a long history in professional theater. In Stephen Sondheim’s “Sunday in the Park with George,” the artist Georges Seurat sings an entire three-minute ode to “Finishing the Hat.” “Look, I made a hat,” he says, “where there never was a hat.” And, in SF Playhouse’s newest production, a
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