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“Solemn Anthems” lacks cohesion and connective tissue, but it holds a great deal of thought, and a great deal burns.
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In an interview with The Daily Californian, Marsha Reid, the director of Kindred Arts, discussed what it’s like to go on tour with three statues.
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“Mirror Effect” rests upon seductive combinations of glass, light and negative space — suggestive of a state in which everything is fluid and all views are unobstructed.
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In an email interview with The Daily Californian, Wiedel recalled the events of the 1969 protests in People’s Park, now more than fifty years ago.
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Greenwell created the project as a means of not only emotionally and financially supporting Black artists, but also underscoring their value to the Oakland community.
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“Meet Us Quickly” shines a new angle of visual creativity with an embracing welcome.
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“These artists and their practice are an invitation to rethink aesthetic hierarchies at the center (of mainstream art) and to expand the borders of how art history has typically been run,” she said.
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On Oct. 29, SF Camerawork held an opening reception for its annual survey exhibition, this year titled “Forecast 2020,” on Zoom, with the exhibition available to view for free on its website.
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Aguilera finds art therapeutic, and from home, he’s still finding ways to stay involved with activities that bring him joy.
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This collection of artworks demonstrates both Presley’s multidimensionality and his ability to represent the human condition through a variety of mediums.
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