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“Augmented Time” is an experience that allows audiences to use an iPad to examine the history, technique and people behind the construction of the BAMPFA building.
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When asked about her perception of the politics and community in the Bay Area specifically, Linden said she thinks there’s always room for change.
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Displaying the terror of World War II, imaginary worlds and intimate depictions of herself, Fein’s work is a testament to the longevity of life.
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The establishment of “No Spectators” in the East Bay feels appropriate considering the gathering’s Bay Area roots.
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Lvova, a painter who is originally from Russia but now resides in Palo Alto, is known for her uniquely swirly designs and bold patterns.
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Broadly, the exhibit is about repair, a concept Attia has chewed over in both his writings and his visual art.
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While vastly ranging in medium — from paper lanterns to ink paintings — the works included in “Changing and Unchanging” are united by a sense of “groundedness” in the actual world.
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After nearly 25 years of service to BAMPFA, what does Rinder feel most gratified by? In addition to his efforts to tie the museum more closely to the campus and the Berkeley community at large, he pointed to his curatorial work. Each exhibition he’s curated — of which there have been over a hundred — has left its mark on him in one way or another.
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“The exhibition came together through a process,” said Linder. “In a way, it started with a handful of works that I knew I wanted to include and that formed a kind of a nucleus out of which I built the concept of the exhibition.”
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Walking uphill toward Valencia Street from the 24th St. Mission BART station, Voss Gallery, on the corner of 24th Street and Bartlett Street, is difficult to miss.
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