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On Tuesday, brave the steep UC Berkeley gradient and head over to Stephens Hall at 5 p.m. for a postcard talk from San Francisco-based historian Omar Khan.
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Progressive social critique is wide-ranging, and it’s admittedly hard to juggle all of it when considering the growing role of social media in cultural criticism.
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The general narrative among diehards is that Sony needs to “put story over money” — a hypothetical restructuring of priorities that essentially requires Sony to hand over its highest-earning property to Disney, no matter the cost or ramifications.
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This is similar to the relationship between Cheetos and the subsequent iterations of hot Cheetos — the original is still a classic, but it has also developed.
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“I do have a wish list,” (McCauley) said, “and one of the things on the list is more funding to provide a bus to transport residents of Richmond to camp, and to be able to reach a few more campers.”
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What’s not rare is the cancellation of a series with all of these tangibly significant characteristics before it’s received its due creative course.
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The network seems to be responding by doubling down on its animated comedies and poaching literally the entire cast of “Parks and Recreation.”
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A network famous for its iconic comedies, NBC hasn’t quite made its comeback after ending its trifecta of “The Office,” “30 Rock,” and “Parks and Recreation.”
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The role of artistic expression in providing visibility for the disenfranchised runs throughout the history of the UC system itself, as illustrated especially by the plight of one UC affiliate quite literally stripped of her rights as a citizen.
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Even with Shonda Rhimes wooed away to Netflix and her current shows coming to an end, in its coming season ABC seems to still be going strong.
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