‘Freelancers Anonymous’ is LGBTQ+ comedy with bad jokes, worse representation
“Freelancers Anonymous” is a low-budget indie flick that’s explicitly queer, but the film is flawed from its building blocks.
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Category Archives: Pride 2018
What you need to know about UC Berkeley’s LGBT studies minor
LGBT studies addresses the modern evolution of sexuality and non-heteronormative relationships, as well as their historical diversification.
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‘50 Years of Fabulous’ exhibits ultimate Castro district pride
“50 Years of Fabulous,” a wildly entertaining film, follows some of the most important characters and events in the LGBTQ+ history of San Francisco.
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‘Life in the Doghouse’ is profound, cinematic equivalent of Instagram dog accounts
Robertshaw and Danta began rescuing dogs after Hurricane Katrina struck in 2005, leaving thousands of dogs homeless and stranded.
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‘Fish Bones’ is overly restrained meditation on convergence of sexuality, culture
In “Fish Bones,” fashion model Joony Kim stars as Hana, a young college student, waitress and aspiring model who falls in love with a music producer.
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Editor’s note
While there’s still a long way to go for LGBTQ+ cinematic representation, Frameline will be there, supporting LGBTQ+ films as they develop and progress.
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‘Yours In Sisterhood’ shares moving stories from 1970s feminist letters
This anthology of women’s strife is told by women reading predominantly unpublished letters submitted to Ms., the first mainstream feminist magazine.
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‘Fun in Girls Shorts’ presents humorous, heartfelt representation in short films on queer girls
The annual “Fun in Girls Shorts” collections have the potential to present some of the best of the Frameline film festival.
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‘Queer Eye’ season 2 packs emotional punches, struggles to overcome mainstream boundaries
“Queer Eye,” at its core, is gimmicky and predictable — that’s just the reality of reality television. In this series, straight guys are a mess and queer guys are here to save the day.
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Comics at Ashkenaz’s ‘Gay Pride Comedy Night’ don’t reinvent the rainbow
Lisa Geduldig, Dom Gelin, Nick Leonard, Irene Tu and Karen Ripley brought a predictably mixed bag of punchlines, with some landing in spite of themselves.
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