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When every heartfelt conviction is matched with an ill-considered political meme and rehearsed talking points outnumber actual ideology, the result is an often hilarious, always compelling chaos.
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It turns out geography doesn’t change your issues with yourself, and going to a prestigious college doesn’t fix your insecurities either.
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Reichardt pays close attention to the quotidian, noting the basic struggles that faced those who participated in Western expansion and capitalism.
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The academy’s apparent dismissal of A24’s most recent films, however, does not make the company’s work any less appreciated or beloved.
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Skarsgård’s performance communicates the callousness of a cold-blooded soldier, providing a look into violent American patriotism.
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Returning to form, Shults has had his hand in every step of the filmmaking process, having written, directed and edited “Waves,” which is by far his most personal film.
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Simply put, “The Death of Dick Long” is a film about the confused death of the proud, dick-measuring masculinity of American tradition.
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Lulu Wang’s new movie “The Farewell” revolves around the central conundrum of “What is the better way to say goodbye to someone you love?”
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For Wang, truth in “The Farewell” has more intimate ties to replicating a specific sense of experience than to portraying exactly what happened when.
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As the characters descend into a dark fate, the film’s remarkable setting and cinematography become its greatest strengths.
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