Awkwafina

It sucks to work for Dracula — so says Chris McKay’s “Renfield,” the latest film to reincarnate Bram Stoker’s characters.

Actor and UC Berkeley alumnus Ki Hong Lee discussed his experience navigating the entertainment industry as an Asian American at a Berkeley Forum event. 

Besides being a well-executed, riveting superhero movie, a huge factor in what makes “Shang-Chi and the Legend of the Ten Rings” so amazing and necessary is the fact that it unapologetically tells an Asian and Asian American story.

“Raya'' portends a promising trajectory for the future of Disney princesses, encapsulated in a triumphant adventure film about growing up, healing and collective support.

Entering the world is difficult; I’ve felt suspended in a soupy haze that seems to be a common condition. Many things have contributed to my own particular slump. My grandmother’s recent passing is one.

In a year in which creative and original stories featuring artists of color received critical praise and connected with viewers, it’s a shame that they are not being recognized alongside films and performances that feature mainly white actors.

In a night seemingly meant to be ruled by Netflix, Netflix came up short at the 77th Golden Globe Awards.

This year has proven that filmmakers’ original, engaging stories will always have the ability to unite audiences with their crucial explorations of our world.

Lulu Wang’s new movie “The Farewell” revolves around the central conundrum of “What is the better way to say goodbye to someone you love?”

For Wang, truth in “The Farewell” has more intimate ties to replicating a specific sense of experience than to portraying exactly what happened when.