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As the crowd got lost in the ivory notes, it was awe-inspiring to watch Tyler directing the crowd into the lyrics without having to say a word.
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The audience was left with a sense of renewal and exuberance; with his overwhelming joy and energy, .Paak made all stress and tension melt away.
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While DeMarco’s musical performance had barely any flaws, the crowd for this concert was more out of place than the looks of the cartoonish pickle.
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The spellbinding Brit pop band dazzled in a synth-wave to blow the hipster beanies right off the audience.
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However, it seemed as if the synthy quartet received only a split second of stage time at Bill Graham Civic Auditorium on April 23.
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On Thursday night, the Bill Graham Civic Auditorium was packed. Headliner Louis the Child would not appear for another two hours, and yet the pit was already crowded with people pushing and elbowing their way to the front. An audience of EDM fans was eagerly waiting to see not one
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Rufus stopped in San Francisco as a part of its “Solace” world tour making a point to acknowledge that it had been the biggest show so far. The Australian-bred band played to hundreds as if it were playing to only a few.
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While streaming BROCKHAMPTON’s albums through headphones emphasizes the eclectic nature of its music, this show highlighted the curated but spontaneous individuality of the group. From their rap styles to their dance moves, each member was easily identifiable for their own artistry.
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The seven-piece band started the show with “Four Out Of Five,” a slower hit off of the group’s newest album, Tranquility Base Hotel & Casino. Frontman Alex Turner moved around the mic stand with Elvis Presley ease, swaying with the song and taking a seat behind the keyboard before pulling out his guitar for “Arabella.”
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Comedy Central should consider itself lucky that it has connections to such a stellar lineup for the second annual Clusterfest in San Francisco.
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