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Here’s a look back at some of the best moments of Deakins’ cinematic repertoire, all of which demonstrate his strength, creativity and versatility in his craft.
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Francis Ford Coppola once said, “Sequels are not done for the audience or cinema or the filmmakers.
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Theaters aren’t going anywhere, at least for Berkeley. The city’s cinema scene has managed to exist outside the typical film industry narrative.
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Despite offering a surprisingly eclectic spread of nominees, the 90th Academy Awards proved to be utterly, boringly predictable.
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In a widely-ranging discussion of sci-fi texts of the past and present, UC Berkeley lecturer Emily Carpenter and professor Namwali Serpell articulate representations of race and gender, discuss the ways that sci-fi reflects contemporary politics and offer interpretations of popular films.
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Even though the Academy Awards are distinguishable for nominating boundary-pushing films, the fact remains that some films and artists were simply snubbed.
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A passion project 16 years in the making, “Mute” appears to be the type of dexterously engaging film that we’ve come to expect from Jones.
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By continuing to break the institutional silence surrounding sexual violence and believing survivors, we’ll retain film as our source of light in 2018.
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“Blade Runner 2049” gradually crescendos from dark, quiet dystopian drama to an epic sci-fi phenomenon, and it provides a captivating experience for audiences along the way.
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With 2016 behind us, it’s time to look forward to the movies of 2017. Here are 15 films that we think will be phenomenal. “Darkest Hours” Directed by: Joe Wright (“Atonement,” “Pride and Prejudice”) Starring: Gary Oldman (“Tinker Tailor Soldier Spy,” “The Dark Knight”), Ben Mendelsohn (“Rogue One: A Star
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