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And we as an audience, cheered Jim Morrison on. People came out to see this dramatic antihero swagger around the stage completely wasted, yelling at cops and starting fights. But did anyone never spare a thought as to what that performance might be reflecting about the man underneath?
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The highlight of the night was the performance of “Girls / Girls / Boys,” a ballad-style tribute to all forms of love. Crowd members threw rainbow-striped flags onstage as the song went on until Urie was literally tripping over the sheer number of them.
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Though the show featured some pleasantly surprising wins and an impressive number of awards given to artists of color, the moments we could champion were quickly snuffed out by those that disappointed.
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This awards season has truly been a wild ride; fingers crossed that optimism will prevail and the Oscars will emerge from this critical inferno having made some good choices.
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Even though “Beale Street” is a better film than “Vice,” the latter is the easier awards sell. As films such as “Darkest Hour” or “Bohemian Rhapsody” can attest, even awful-to-mediocre biopics with strong central performances are an Oscars shoo-in for best actor and best picture.
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While it’s significant to note the survivors stepping forward, the slow rollout of the news surrounding Singer’s allegations — and the near silence from the cast and producers of “Bohemian Rhapsody” regarding Singer — have, again, done little to inhibit the success and celebration of the film.
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If your film is a commercial film, it has to reinvent its genre of choice, be constantly talked about by the press and audiences and/or have a hefty studio campaign budget standing behind it to even stand a chance at getting nominated. And then you’ll still lose to stuff such as “The Shape of Water.”
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On Thursday, get in the mood for Coheed and Cambria’s 6:30 p.m. show at Hearst Greek Theatre by watching the trailer for “Bohemian Rhapsody.”
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Before you read any further, open up Spotify or Apple Music or Tidal or whatever service you use to listen to music, and put on “Called Out In The Dark.”
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Most of my adolescence was defined by a deep delve into music of the late-20th century, music that I considered to be the basis of pop culture as I knew it.
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