A new shade of cool on Lana Del Rey album

Lana Del Rey authenticates her niche as a retro-pop act on her latest LP, “Ultraviolence,” with stronger yet less-catchy songs than on her debut studio album under the moniker Del Rey, “Born to Die.” She has traded in hip-hop sampling for a new team of producers, including the Black Keys’
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Lana Del Rey: Born to Die

Lana Del Rey wants you to own her, love her, objectify her, abuse her and worship her. Now, there’s enough here — in her image, her music and the backlash it’s all received — for a whole team of pop culture critics, feminists and intellectuals to fuss about, but, all
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