Fran Lebowitz goes road-tripping

In New York City, sometime in the early hours of October 30, a car made its way uptown. The streets were unusually empty for that hour (or any hour in NYC). A hurricane was in town and instead of the benign ambivalence with which the city usually greets new arrivals,
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Jazz Hands: Chucho Valdes reflects on his place among his jazz predecessors

For the uninitiated: Jazz, though underpinned by a malleable lattice of chords and rhythms, relies heavily on improvisation and invention. But originality is not always the prerequisite for inspiration. Often, performers call upon the genius of their forebears and insert snippets of past work into their performance. “Those are invoked,”
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‘Einstein on the Beach’ mesmerizes Zellerbach

Writing a review of “Einstein on the Beach” is a  profound challenge. The opera is hailed as one of the crowning artistic achievements of the 20th century and remains among the most important contributors to modern performance culture. And yet, despite the glitz and glamor surrounding the opera, the endless
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‘Swan Lake’ enchants at Zellerbach

The ballet “Swan Lake” begins with a solitary violin sequence, soaring briefly before crashing into the swell of the orchestra. With this short passage played to spine-tingling perfection, the atmosphere inside Zellerbach Hall, already buzzing from the mere presence of the illustrious Mariinsky Theater (ballet and orchestra), instantly turned spellbinding.
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Ionesco’s ‘Rhinoceros’ charges into Zellerbach

Imagine striding along the grand-rue of a tranquil French village, whereupon you suddenly cross paths with an agitated, stampeding rhinoceros trampling everything in its way. What would you think? In essence, this is the question asked by Eugene Ionesco in the first act of his supremely absurdist play “Rhinoceros,” performed
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This Week in Arts

VISUAL ART Beginning next week, artists and art groups will fill public spaces in San Francisco’s Central Market neighborhood with their latest artwork, crafts, and performances as they collaborate in the 24 Days of Central Market Arts Festival. With special events and activities running through the entire few weeks concentrated
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All the City’s a Stage!

Berkeley smacks you in the face with culture. Everywhere you turn, there’s someone peddling hand-crafted works of art, showcasing their own breed of eccentricity or, if you are anywhere near the post office on Durant Avenue,  spraying the wall with color — a vivid and visceral yellow, to be specific.
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Zakir Hussain tells stories through classical Indian music

The fat underneath their chins sways, their heads wobble and bobble, their hands flit faster than hummingbird wings — these are men in a trance. They speak to each other without opening their mouths, but with looks and nods, with the subtle variations of the tones of their instruments. They
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Dance theater fuses gospel and trance at Zellerbach Hall

The Alvin Ailey American Dance Theater offers an alternative to those who are and aren’t into religious or Class A ecstasy. At Cal Performances on March 13, the company translated the inclusive energy of ritual spaces like the club and the church to Zellerbach Hall in pieces featuring gospel and
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Stories narrated through dance at Zellerbach Hall

Introducing last Friday evening’s showing of “Story/Time,” presented by Cal Performances, Bill T. Jones strode to the center of Zellerbach stage, pausing. He made a simple request of the audience. “I would like you to do a little warm-up with me … a conceptual warm-up,” Jones began, asking the audience
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