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BERKELEY'S NEWS • NOVEMBER 28, 2022

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Even though every dream is unique, there are some common scenarios people report. Here is a compiled list of common dreams and what they can day about your everyday life.
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Even though every dream is unique, there are some common scenarios people report. Here is a compiled list of common dreams and what they can day about your everyday life.
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In a decade when “fake news” has become a household term in the United States, reporters at The Daily Californian continue to hold integrity at the forefront of their reporting through their fact-checking process.
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In a decade when “fake news” has become a household term in the United States, reporters at The Daily Californian continue to hold integrity at the forefront of their reporting through their fact-checking process.
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Morning showers and night showers each have their own merits to being the preferable shower. The divide between these two is incredible, however.
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Morning showers and night showers each have their own merits to being the preferable shower. The divide between these two is incredible, however.
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It’s 9 p.m. in Dakar, Senegal, and the night hasn’t even begun.
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It’s 9 p.m. in Dakar, Senegal, and the night hasn’t even begun.
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It’s inevitable. Here at UC Berkeley, there will be a night or two (or a dozen depending on your study habits) in which you simply don’t have time to sleep.
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It’s inevitable. Here at UC Berkeley, there will be a night or two (or a dozen depending on your study habits) in which you simply don’t have time to sleep.
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Expectations were understandably high for “It Comes At Night,” — A24's latest horror film — and thankfully, director Trey Shults delivers. The pacing of Shults’ script is impeccable — though the epitome of a slow burn, there’s a white-knuckle fluidity to the series of wrong turns that result in the film’s devastating third act.
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Expectations were understandably high for “It Comes At Night,” — A24's latest horror film — and thankfully, director Trey Shults delivers. The pacing of Shults’ script is impeccable — though the epitome of a slow burn, there’s a white-knuckle fluidity to the series of wrong turns that result in the film’s devastating third act.
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