BERKELEY'S NEWS • FEBRUARY 02, 2023
CGI
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Film & Television
DECEMBER 21, 2022
‘Avatar: The Way of Water’ floods with narrative, floats on CGI
“The Way of Water” plunges its audience into a three-hour runtime many will find it easy to drown in.
Film & Television
DECEMBER 21, 2022
‘Avatar: The Way of Water’ floods with narrative, floats on CGI
“The Way of Water” plunges its audience into a three-hour runtime many will find it easy to drown in.
Streaming Diaries
MARCH 30, 2020
Diving through the ‘Star Wars’ universe, 1 episode at a time: ‘Star Wars: The Clone Wars’
Overall, “The Clone Wars” is a wonderful way to experience nostalgia while also exploring new content in the “Star Wars” world.
Streaming Diaries
MARCH 30, 2020
Diving through the ‘Star Wars’ universe, 1 episode at a time: ‘Star Wars: The Clone Wars’
Overall, “The Clone Wars” is a wonderful way to experience nostalgia while also exploring new content in the “Star Wars” world.
Culture Shot
NOVEMBER 21, 2019
Retracted: Another pervasive challenge of today’s online era: How should one live with the digital dead?
If all it takes is a wad of cash and a distant relative’s permission to greenlight “Finding Jack,” then these filmmakers aren’t being respectful of Dean’s legacy.
Culture Shot
NOVEMBER 21, 2019
Retracted: Another pervasive challenge of today’s online era: How should one live with the digital dead?
If all it takes is a wad of cash and a distant relative’s permission to greenlight “Finding Jack,” then these filmmakers aren’t being respectful of Dean’s legacy.
Culture Shot
APRIL 09, 2018
How the music in our favorite films is changing before our ears
Visuals have gotten a lot of the credit for what is making films more immersive. Less obvious is the way scores have changed the way we engage with films.
Culture Shot
APRIL 09, 2018
How the music in our favorite films is changing before our ears
Visuals have gotten a lot of the credit for what is making films more immersive. Less obvious is the way scores have changed the way we engage with films.
Film & Television
JULY 20, 2017
'Valerian and the City of a Thousand Planets' is pleasantly atypical, Besson-brand sci-fi
Besson is a master of CGI vision, more deserving of indulging in the form than possibly any other director working today — he’s known for the absurd, and with CGI you can easily make the absurd out of pixels.
Film & Television
JULY 20, 2017
'Valerian and the City of a Thousand Planets' is pleasantly atypical, Besson-brand sci-fi
Besson is a master of CGI vision, more deserving of indulging in the form than possibly any other director working today — he’s known for the absurd, and with CGI you can easily make the absurd out of pixels.
Film & Television
APRIL 27, 2017
The explosion of CGI in sci-fi: Why engaging stories still matter
Sci-fi, through its pushing of the boundaries of how real and computer-generated imagery can be synthesized, has a responsibility to get it right.
Film & Television
APRIL 27, 2017
The explosion of CGI in sci-fi: Why engaging stories still matter
Sci-fi, through its pushing of the boundaries of how real and computer-generated imagery can be synthesized, has a responsibility to get it right.
Film & Television
MARCH 24, 2017
‘Life’ is gripping, efficient, but unnecessary sci-fi horror-thriller
It’s a perfectly serviceable and enjoyable suspense flick. The problem is that we can’t watch it in a vacuum, and the specter of “Alien” haunts the film.
Film & Television
MARCH 24, 2017
‘Life’ is gripping, efficient, but unnecessary sci-fi horror-thriller
It’s a perfectly serviceable and enjoyable suspense flick. The problem is that we can’t watch it in a vacuum, and the specter of “Alien” haunts the film.
