Love’s perfection of imperfection

Love — or the lack thereof — is at the center of everything. It takes a conscious decision to deconstruct the world around us to galvanize change.
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Love — or the lack thereof — is at the center of everything. It takes a conscious decision to deconstruct the world around us to galvanize change.
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Winter is the best time to enjoy various citrus fruits. The possibilities are endless, but I offer a few: palomas, citrus salads and cakes and shortbread.
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I’m not hoping that my admission will be counteracted with validation, but simply that we can mutually acknowledge the existence of our insecurity; to admit that loving ourselves is hard and abstract compared to the reality of not feeling good enough.
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Our Black History Month Issue highlights efforts to achieve change while at the same time noting areas where the city of Berkeley and campus come up short.
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On Dragon New Warm Mountain I Believe in You, Big Thief offers a glimmer of redemption, constructing eccentric beauty in its form and execution.
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Rather than remaining in a single, unyielding form, you have allowed yourself to be reworked and repolished into a new but no less beautiful shape.
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I’ve always been fearful of change although it’s the only constant in life. I always knew this, so why did I expect college to be any different?
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The effect is one of cheap maximalism buoyed only by stellar production and an exceptionally sparse smattering of pathos.
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I decided to try a new cereal every week, just to dip my figurative toes in the milk of change.
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Be honest: How many times in the past year have you pictured yourself telling your grandchildren about what the COVID-19 pandemic was like?
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