‘After Yang’ is supremely tender sci-fi memorabilia
Kogonoda’s latest is at once universally and deeply personally felt — a self-reflective, nuanced journey that uncovers hidden emotions and profundity within every viewer.
‘After Yang’ is supremely tender sci-fi memorabilia
Kogonoda’s latest is at once universally and deeply personally felt — a self-reflective, nuanced journey that uncovers hidden emotions and profundity within every viewer.
Burton’s best of the decade, ‘Dumbo’ still lands with a thump
An impersonal reimagining of an artistic Hail Mary for the purpose of a box office guarantor, the film is one of those chores that’s somehow both bloated with inanities and empty of vision.
Burton’s best of the decade, ‘Dumbo’ still lands with a thump
An impersonal reimagining of an artistic Hail Mary for the purpose of a box office guarantor, the film is one of those chores that’s somehow both bloated with inanities and empty of vision.
‘The Beguiled’ subverts male gaze through Sofia Coppola’s powerhouse direction
“The Beguiled” is a true testament to the woman behind the camera — a film with inspired visuals and masterful performances, and which imparts a needed feminist stamp on a story (the 1971 film starring Clint Eastwood, based on Thomas Cullinan’s novel of the same name) originally known for its pulp alone.
‘The Beguiled’ subverts male gaze through Sofia Coppola’s powerhouse direction
“The Beguiled” is a true testament to the woman behind the camera — a film with inspired visuals and masterful performances, and which imparts a needed feminist stamp on a story (the 1971 film starring Clint Eastwood, based on Thomas Cullinan’s novel of the same name) originally known for its pulp alone.