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Here are four reasons why Berkeley is WAY better than Palo Alto. There are way more than just four, but we didn’t have time to write an endless article.
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In a simple pink T-shirt and ripped jeans, Bain’s laid-back energy exuded the very nonchalant essence of her stage presence.
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American indie pop trio LANY performed at The Masonic on June 15, wrapping up the second of two nights in San Francisco and ending an 100-date tour.
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Crowd surfing has been around for almost 50 years in the communities of any edgy genre you can think of — rock, punk, metal, ska, post-hardcore and the like. If you’ve ever been toward the front of the crowd at one of those concerts, you’ve probably been kicked in the head by more than a few pairs of Dr. Martens.
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We at the Clog have a few suggestions of Berkeley’s best spots for live music, according to reputation and music selections.
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Slow Hollows squeezed all the energy it could out of its more upbeat songs, satiating an antsy-to-mosh crowd, but during the slower parts of its set, the music joined the reflections from the disco ball and enveloped the crowd to create a relaxed, hazy atmosphere.
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Giraffage didn’t present anything groundbreaking with his Welcome Week set. But then again, that’s probably not what he set out to do.
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The band committed to every song it performed — from the band members’ outfits to the set design, which, in the case of “Buddy Holly,” was reminiscent of the music video for the song.
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Bratton understands where his current fan base comes from and didn’t hesitate to indulge the fans in some behind-the-scenes moments from “The Office.”
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Silent Rival, the opener, delivered a punchy set. Vocalist Sara Coda, a pop emo goddess, belted her edgy lyrics in a rich, expressive voice that shook the entire room.
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