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Through Sneed’s musicality and showmanship, members of the hall were transported back and forth in era, or held in the present as a 25-minute rendition of a fluttery “Joy to the World” flew by in a joyous blur.
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Sneed made sure to keep the gospel sentiment strong in each song he played by eliciting audience interactions.
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Coinciding with the 400th anniversary of enslaved Africans’ forced arrival to the United States, Cal Performances presented Damien Sneed’s latest intersectional multimedia production on Thursday.
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While planning out the end of your month, explore the educational opportunities available to learn about Black history and celebrate the cultures that thrive year-round.
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