why would he trip me like this: A poem
David K. Lynch Productions/Courtesy
and Henry becomes equal parts unwilling and willing participant, but also detached observer / here he is all in order / and at the very beginning
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‘A jam-packed catalogue’: 8 anticipated films that were pushed from 2020
Here’s a guide to some of the most exciting 2020 movies that are finally coming out in 2021 after being delayed due to the pandemic.
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DC Comics takes on mental health in ‘Heroes in Crisis’ issue one
In DC Comics’ latest comic book limited series, “Heroes in Crisis,” the trauma of fighting crime casts a long shadow: At a clandestine hospital, superheroes get treated for post-traumatic stress disorder. But when its patients are murdered, it’s up to Wonder Woman, Superman and Batman to find the killer.
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2018 Emmy Awards: Which shows are bound to slip through the cracks?
While most heads are turned toward which shows will be nominated, there are bound to be equally as many noteworthy snubs.
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15 summer movies you can’t miss
“Avengers: Infinity War” heralded the start of the summer movie season, kicking off a four-month period in which CGI spectacle reigns supreme.
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‘Lean on Pete’ is resonant character study of adolescence, borrows from minimalist cinema
There’s little to bicker about with a film like “Lean on Pete,” which makes for an engrossing and resonant experience. Bring tissues.
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The Daily Californian Arts Awards: Television of 2017
Whether on our laptops or in our living rooms, television has always been a space of escape, in which our ideologies are reflected back to us.
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Midnight screenings of ‘The Room’ guarantee laughter, cringing
“It’s like watching a kid ride on his bike and fall on his face. … It’s not a work of art. It’s just bad. And I love it.”
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David Lynch returns ‘Twin Peaks’ to us, in some of its perplexing glory
Ultimately, “Twin Peaks: The Return” is either a profound masterpiece or a simultaneously auspicious and egregious cop-out.
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‘Twin Peaks: The Return’ recap 1×18: ‘Part XVIII’
The lights in the home flash and the image cuts to black, before slowly fading to an image of Laura whispering into Cooper’s ear in the Black Lodge as the credits roll.
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