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BERKELEY'S NEWS • JUNE 02, 2023

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Eyes Wide Shut

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Onstage at San Francisco Symphony’s SoundBox, Jenkins was joined by his longtime friend and collaborator Nicholas Britell who, backed by the SF Symphony, made a live case for the vitality of film scores interested in “amplifying characters’ emotions, not imposing.” 
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Onstage at San Francisco Symphony’s SoundBox, Jenkins was joined by his longtime friend and collaborator Nicholas Britell who, backed by the SF Symphony, made a live case for the vitality of film scores interested in “amplifying characters’ emotions, not imposing.” 
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High school student Ryland Walker Knight sat on the edge of his seat, eyes peeled open at the movie screen ahead. Struck by the beauty of the production, he dragged his friend to Berkeley’s California Theater for their second screening of Inland Empire in two days.  
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High school student Ryland Walker Knight sat on the edge of his seat, eyes peeled open at the movie screen ahead. Struck by the beauty of the production, he dragged his friend to Berkeley’s California Theater for their second screening of Inland Empire in two days.  
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As terrible as this film might make one feel, it is excellently done, slowly building up to a disturbingly quiet dread.
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As terrible as this film might make one feel, it is excellently done, slowly building up to a disturbingly quiet dread.
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