Elizabeth Lo’s ‘Stray’ quietly trots through a broken world

Dogs share our world, and in “Stray” — and Istanbul — it’s as much theirs as ours. Lo leaves us with a final question: How come they have it better than people?
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Dogs share our world, and in “Stray” — and Istanbul — it’s as much theirs as ours. Lo leaves us with a final question: How come they have it better than people?
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The 2010s may have been the best decade ever in terms of television produced.
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In a night seemingly meant to be ruled by Netflix, Netflix came up short at the 77th Golden Globe Awards.
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Shows such as “Big Little Lies” and “Fleabag,” presented as standalone stories in their first seasons, came back with fascinating new characters and plotlines for their second seasons.
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The surprising success of “Fleabag,” along with a historic win for Billy Porter, made this year’s Emmys ceremony a pleasantly entertaining affair.
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I find that I deeply resonate with a thought from “The Marvelous Mrs. Maisel” lead Rachel Brosnahan: She is tired of hearing the word “strong” as an adjective to describe female characters.
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