Bedouine’s intimate ‘Waysides’ delightfully meanders
Bedouine Music/Courtesy
A journey of looking to the past and gaining wisdom, Waysides cements Korkejian as a unique and exciting voice of modern folk.
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‘Stevie Nicks 24 Karat Gold the Concert’ is too long, but worth a cozy sit-down
It’s clear by her stage presence that Nicks hasn’t forgotten how to work a crowd, even if this was filmed a few years back.
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‘High Fidelity’: Hulu’s unapologetic spin on an old classic
With a similar plot line and plenty of early 2000s stylistic and script choices, Kravitz’s portrayal reimagines Cusack’s character in the modern era.
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Retracted: Niall Horan releases groovy, reflective breakup album ‘Heartbreak Weather’
The seesaw between convincing vocals and sketchy musical production shows progress for Horan as a solo artist.
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The Japanese House illuminates San Francisco once again
In a simple pink T-shirt and ripped jeans, Bain’s laid-back energy exuded the very nonchalant essence of her stage presence.
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Songs to feel like you’re on the Glade when you’re actually in Main Stacks
You check your notifications and your friend who never seems to have homework texted “Glade at 1?” The sun is finally out and you type “yes,” but quickly delete it to respond “I can’t.” While your friends are living out the college brochure lifestyle on the Glade, you’re stuck writing a
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My lord and savior, Stevie Nicks
I was wearing my own Sunday best for the Fleetwood Mac concert at Oracle Arena: my lucky jean jacket, a white cropped sweater from my dear friend, a shiny pair of loafers and the delicate feather necklace my mom gave me when I left for college. I was dressed for my lord and savior, Stevie Nicks.
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UC Berkeley alumnus, songwriter Jack Symes talks ‘Songs for Moms,’ joys of touring in a minivan
Jack Symes has been in three bands over the span of his musical career. Though he’s now primarily a solo artist, in his past musical lives, there was the high school group the Beefcakes and the college projects the Shady Ladies and the Midwest Can Company.
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Marissa Nadler silences snide male crowd at The Chapel
Statuesque, bearded men sipped beer and rocked back and forth on their haunches to tales of gothic folk intimacy in San Francisco’s The Chapel. It had taken more than half a set to get here, but Marissa Nadler had managed to silence the aging male crowd. Her songs weave intimate
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Wild Nothing exhibits a satisfying return to form with dreamy, lo-fi pastiche Indigo
Indigo presents confectionary ‘80s pop infused with electronic experimentation, mixing with darker themes. It’s faithful to Tatum’s influences.
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