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I revisit my adolescent angst in the dramatic throes of Linkin Park’s “Numb,” and I cringe at my compulsory desire for heterosexuality when I hear the Jonas Brothers sing “When You Look Me in the Eyes.”
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Both of these songs were released Jan. 24, shortly after Florence + the Machine was announced Jan. 9 as one of the headliners at New York City’s 2019 Governors Ball Music Festival.
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Like the near-weightless being that Florence Welch resembled upon her first careful step onstage, the group exceeded such anticipations, and then some.
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Writing about art put me close to so many artists. It was exhilarating. But I was only ever close.
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Florence and the Machine’s new album High As Hope relies primarily on Florence Welch’s vocalization, so even though the album has been described as a more stripped-down version of her sound, the effect is still incredibly rich.
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The documentary tries its best to seem as authentic as possible, with shaky camera movements and more than one tearful breakdown.
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This Friday marks the start of The Electric Daisy Carnival festival in Las Vegas, where more than 300,000 electronic dance music enthusiasts will gather to rave in Sin City. Even if you couldn’t make it this year to see big names like Avicii, Hardwell, Calvin Harris and Knife Party perform
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This Tuesday brings rap gods Jay-Z and Kanye West, swaggering through the airwaves with the release of the new track “Clique,” featuring Kanye’s pal Big Sean. The two moguls extend their reign atop the rap world in typical tongue-in-cheek style, talking up their money making abilities and indulgent lifestyle. This
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