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Here are four reasons why Berkeley is WAY better than Palo Alto. There are way more than just four, but we didn’t have time to write an endless article.
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Petras allowed glimpses of a burgeoning star’s infectious charisma, and interacted with the audience like a giddy crush would.
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The artist’s personability extended to larger aspects of the show, especially her songwriting and song structure.
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Luckily for the trio, the crowd was clearly filled with hardcore fans of the podcast, and viewers erupted into laughter on cue.
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And as the band tore into “It’s Called: Freefall,” it became clear how invested fans were in the music, the band, the night and everything in between.
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The second opening act for Andrew McMahon In The Wilderness, Flor played just as the theater was starting to fill up. Though most of the present audience members began the set focused on getting drinks, Flor did a respectable job grabbing their attention.
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Warner’s slam poet energy showed clearly throughout the night — her vocal delivery started out slightly shaky, but improved drastically as she gained her confidence.
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With his performances of “Life Round Here” and “Limit To Your Love,” Blake brought an entirely original and entirely brighter energy to his older songs.
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When she wasn’t impressing the crowd with her musical ability, Ward was channeling her inner “I Dream of Jeannie” spirit as she physically demonstrated the beats surging through her every move.
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Due to her prolific career, Kelly was able to fill her set list with selections from every part of her musical spectrum. New and old, released and unreleased, song covers and gospel tracks all made an appearance during the two-hour show.
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