Editor’s note

While there’s still a long way to go for LGBTQ+ cinematic representation, Frameline will be there, supporting LGBTQ+ films as they develop and progress.
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While there’s still a long way to go for LGBTQ+ cinematic representation, Frameline will be there, supporting LGBTQ+ films as they develop and progress.
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The documentary, directed by Katherine Fairfax Wright, focuses in on the creation of “Straight Outta Oz” and the process of developing it for a summer tour.
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Sharing immigrant and minority stories is more important than ever in today’s political climate, and “Nadie Nos Mira” offers a tender, slice-of-life perspective on the struggles of loneliness, sexuality and the immigrant experience.
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The film overthrows the tropes of typical high school films: gym class snafus, cliques of outcasts and athletes and ignorant bullies.
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At the premiere of his film for Frameline’s San Francisco International LGBTQ Film Festival, Francis Lee emphasized that Yorkshire is a place that is dearly personal to him.
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The film brilliantly sifts through two decades’ worth of documentation that plays a vital role in revealing something profound about both Huang and her mother.
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“Behind the Curtain” transcends its basic purpose as a biopic of YouTube celebrity and former “American Idol” contestant Todrick Hall.
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As queer representation in media is few and far between, there exists a dearth in particular of representation for queer women of color — yet “Brown Girls” does not exist solely to fill this gap.
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As the debut feature of director Vincent Gagliostro starring Alan Cumming (2017 Frameline Award recipient), David Drake and Zachary Booth, among other prominent LGBTQ actors, “After Louie” substituted a concise and captivating narrative thread for a consolidation of moments.
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Although “The Death and Life of Marsha P. Johnson” explores an event 25 years in the past, its message could not be shared at a more critical time in history.
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