BERKELEY'S NEWS • SEPTEMBER 30, 2023
Gael Garcia Bernal
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Film & Television
JANUARY 19, 2022
‘Station Eleven’ is muted, momentous portrait of life in the apocalypse
“Station Eleven” operates nonlinearly, a choice that allows its creators to delve into the show’s undercurrent of brutality as easily they do with the love engendered by its communities.
Film & Television
JANUARY 19, 2022
‘Station Eleven’ is muted, momentous portrait of life in the apocalypse
“Station Eleven” operates nonlinearly, a choice that allows its creators to delve into the show’s undercurrent of brutality as easily they do with the love engendered by its communities.
Film & Television
AUGUST 12, 2021
‘Ema’ romps, rampages while keeping audience at arm’s length
The film is a smattering of obfuscation, power plays and drama (with a score by Nicolás Jaar, to boot) as Ema schemes to be reunited with Polo.
Film & Television
AUGUST 12, 2021
‘Ema’ romps, rampages while keeping audience at arm’s length
The film is a smattering of obfuscation, power plays and drama (with a score by Nicolás Jaar, to boot) as Ema schemes to be reunited with Polo.
Film & Television
JULY 26, 2021
M. Night Shyamalan’s film ‘Old’ thrills, but fumbles in conveying universal fears
Shyamalan’s film is made of drama that can’t break the wall between mind and heart.
Film & Television
JULY 26, 2021
M. Night Shyamalan’s film ‘Old’ thrills, but fumbles in conveying universal fears
Shyamalan’s film is made of drama that can’t break the wall between mind and heart.
Film & Television
NOVEMBER 20, 2017
‘Coco’ is vibrant celebration of diversity
The film is undeniably beautiful. Even in the land of the dead, the city seems alive with breathtaking skyscrapers, and it bustles with a constant energy.
Film & Television
NOVEMBER 20, 2017
‘Coco’ is vibrant celebration of diversity
The film is undeniably beautiful. Even in the land of the dead, the city seems alive with breathtaking skyscrapers, and it bustles with a constant energy.
Film & Television
MARCH 07, 2013
'No’ offers reinterpretation of Chile’s violent past
There is a moment toward the end of “No” when the camera lingers on Gael Garcia Bernal’s eyes for a moment as he realizes for the first time that his family could be killed by Chile’s authoritarian government.
Film & Television
MARCH 07, 2013
'No’ offers reinterpretation of Chile’s violent past
There is a moment toward the end of “No” when the camera lingers on Gael Garcia Bernal’s eyes for a moment as he realizes for the first time that his family could be killed by Chile’s authoritarian government.
