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One of many steps non-Black allies are taking to dislodge an indoctrinated white perspective is to infuse their watchlists with media that confronts racism and the realities of Black people in America.
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It’s time for the Oscars to dispense with the waiting, and instead award the year’s brightest performances the first time around.
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Here are five things about UC Berkeley that‘ll have the Tethered thinking twice about attempting to step foot on campus grounds.
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One thing’s certain: Whether or not it’s the year’s best film, it’s sure to be the year’s most daring, sophisticated and terrifying.
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If your film is a commercial film, it has to reinvent its genre of choice, be constantly talked about by the press and audiences and/or have a hefty studio campaign budget standing behind it to even stand a chance at getting nominated. And then you’ll still lose to stuff such as “The Shape of Water.”
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As a Black person, I already spend enough of my time looking over my shoulder for very real threats to my safety. Now we have to add supernatural threats to the list? Come on, guys. Give it a rest.
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“Avengers: Infinity War” heralded the start of the summer movie season, kicking off a four-month period in which CGI spectacle reigns supreme.
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The music industry is experiencing a blossoming revolution –– one completely unlike the style shifts that have come before it and vastly more important.
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“A Quiet Place” is as much a drama about the trials and tribulations of parenthood as it is a post-apocalyptic creature feature.
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“Best Picture” is a massive concept that is not properly captured by the rules and logistics in place because it transcends them.
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