GLOW

In a Zoom interview with The Daily Californian, Brie, Ellis and director Dave Franco exchanged heartfelt laughs and clever quips as they discussed the inner workings of their new romantic comedy “Somebody I Used To Know.”

Through its authentic style of self-reflection, Glow teaches us that perhaps the streams of consciousness in our notes apps can make for incredible albums.

All of these shows have one common denominator: They displayed a queer storyline that was just starting to blossom, and then, despite their popularity, they were axed. 

“Kate Nash: Underestimate the Girl,” directed by Amy Goldstein, paints Nash as nothing other than an ordinary girl with a love for music.

We are presently in a golden age of television. It would be nearly impossible for one person to sort through all of the television at our fingertips and decide what is or isn’t the best. This is where the Emmy Awards come in.

While most heads are turned toward which shows will be nominated, there are bound to be equally as many noteworthy snubs.

“GLOW,” in many ways, serves as a type of spiritual successor to “Orange is the New Black” and carries the mark of Kohan and her fellow writers.