Great American Music Hall

When Destroy Boys come up with an idea, they run with it. They start with a serious thought before twisting it into a joke, imagining it through every possible metaphor and carrying it up and down the ladder of abstraction. 

The floor was a throng of hormones, smiling faces and phone flashes, mirroring the glorious rush of giddiness channeled by Weston Estate.

Beyond the music, Claud’s easygoing charm helped make the show especially memorable.

Hickey shines in the way he plays music straight from the heart, no strings attached — save for the six on his acoustic guitar.

On the Bay Area leg of their “I Can’t Wait” tour, music collective Peach Tree Rascals played with their hearts on their sleeves.

With every song he cheerfully played and every anecdote he laughingly shared, Melchor’s passion for playing music shone brightly at Great American Music Hall.

Ásgeir’s set began with the track “Lazy Giants,” his rising vocals propelled by a pulsing beat and brooding, urgent piano chords.

Her singing rarely erred on the side of nonsensical — as punk-adjacent acts are wont to do — and even when they did, it was clear that the roughness was all part of the intended aesthetic.

Chastity Belt doesn’t make loud, energetic music, but the energy in the room was beyond electric as fans swayed to the songs.

The Bay Area welcomed the funk-soul band More Fatter back to San Francisco at the Great American Music Hall.