Grimes

To date, this column has taken a broadly anti-AI and AI art stance. I intuitively know that the primary reason I feel this way is due to a personal aesthetic aversion to AI art.

Overflowing with genius-level musicality and inquiry into feminine desire, the LP intellectually stimulates yet remains entertaining and danceable — well worth the lengthy wait.

The track is mired in garden variety digital art pop that skimps on both the experimental instrumentation and conceptual artistry audiences have come to expect from Grimes.

This December marks the 10th month of quarantine, and the isolated people of the world have not disappointed when it comes to entertainment.

It’s only a matter of time before Bennett skyrockets to the top of the charts again — she’s proving that she’s here to stay, and Hey u x is only her debut. 

Miss Anthropocene regains its footing, however, in its grandiose conclusion.

This year, women are at the forefront of modern music. From those already at the top of their game, such as ponytail-wearing superstar Ariana Grande, to those just getting started, such as U.K. R&B singer Jorja Smith, female artists have dominated 2018’s soundtrack with their bops, ballads and visual albums.

The theme for Monday night’s Metropolitan Museum of Art Costume Institute Benefit was “Heavenly Bodies: Fashion and the Catholic Imagination.”

The #MeToo movement has made its mark in the film world. We need to bring this wave of empowerment to survivors of sexual violence in the music industry.