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Lockhart will be bringing the Boston Pops to the Hearst Greek Theatre on April 21 for a night of tribute to his famed predecessor.
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Visuals have gotten a lot of the credit for what is making films more immersive. Less obvious is the way scores have changed the way we engage with films.
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Luckily, the “Black Panther” soundtrack makes “All The Stars” look like a chart-friendly bone tossed to the Marvel bigwigs.
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By continuing to break the institutional silence surrounding sexual violence and believing survivors, we’ll retain film as our source of light in 2018.
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Nearly three years ago, while on a trip to London, I saw one of composer Hans Zimmer’s first live shows. I’ve listened to thousands of hours (literally) of his film scores, mainly from Christopher Nolan films. To say that I’m a fan is a bit of an understatement. So when
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Legends like Hans Zimmer and Kendrick Lamar are certain to draw massive crowds, but they aren’t the only artists taking over next week.
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(“Photograph” by Arcade Fire is not available on Spotify) I’m not the biggest music person. I don’t really care for the most recent hot album. I have my set of indie rock songs from my early high school days and my momentary stages of EDM heavy listening, but the only
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It was his musicians that truly brought the show to life. But in doing so, they reminded us why Zimmer’s music is so affecting.
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As a diehard fan of Christopher Nolan and his now legendary trilogy, I do have to offer a rebuttal for my vision of the next Batman film.
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Having composed for more than 150 films, chances are that you’ve had a Hans Zimmer score stuck in your head at least once.
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