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Despite its narrative shortcomings, “The Cursed Child” exalts theater as a medium much like a portkey, brimming with potential to transfix audiences and transport them to another world.
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And that magic, beyond spells and mischievous bookcases, is a throughline for the entire production.
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With the two of them being longtime fans of the franchise, it was evident that their own knowledge and experience will bring an entirely new dimension to the characters.
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If I could somehow insert a heavy sigh here, I would, because it amazes me how intolerant we still are — it is 2019 and we can’t seem to accept a Black Ariel without it being controversial.
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I grew up with these stories, I fell in love with these characters, I lived in this world — so trust me when I beg, please stop making Harry Potter movies.
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July 31, 2016, this Sunday, is a very important day. First of all, it’s Harry Potter’s 36th birthday. Second of all, it heralds the official opening and script release of “Harry Potter and the Cursed Child, Parts I and II.” For those of you who don’t know, “Harry Potter and the
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