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On the eve of October and Domestic Violence Awareness Month, I saw the news of another domestic violence arrest: a woman claiming she called the police because she had been attacked, and then was surprised that she was the one being arrested.
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Everyone’s passion begins somewhere and evolves as they get older. My love affair with movies is a trilogy, and it started with Universal Studios.
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Run for the exits in disgust or fall for this manic pixie dream girl of a campy, supernatural thriller. Luca Guadagnino rebranded Dario Argento’s 1977 cult classic, “Suspiria,” in an exercise in Hollywood world building that’s about as polarizing as listening to your mate’s stories about gap year.
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Amandla Stenberg, who plays the lead character, Starr, in “The Hate U Give,” Russell Hornsby, who plays her father, Maverick, and director George Tillman Jr. sat next to each other. The comfort of the three members of the movie was palpable.
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Jake Cannon is a UC Berkeley alumnus and host of the podcast “The Look Back Machine,” which features documentary-style retellings of various forgotten Hollywood stories, tales described as “the overlooked, the disregarded, and misremembered.”
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“(Berkeley has) a thriving art community,” he said in an interview with The Daily Californian. “(It’s) big enough so we can expand beyond that thriving art community and reach people with the messages and content of A24’s films.”
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What distinguishes director and star Bradley Cooper’s new rendition is his desire to tease out and explore the volcanic, passionate and fatal link between the characters who form the epicenter of these pre-existing 12 notes.
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I was touched by this country even before I boarded the 17-hour flight that brought me to America. Growing up, my friends would go through whole bags of M&M’s, watch Hollywood films and dream of sunny California. We’d fantasize about free water fountains, and gosh, Mum, can we make those PB&J sandwiches, please? We’d discuss how Americans were perpetually in the future.
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I wondered if Chu had what it takes to make a film that would be able to prove that Asians in leading roles don’t mean box office failure.
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The album art — a swirly, wistful drawing in cotton candy hues of 2-D playing his guitar — is in line with the mood of The Now Now, which is primarily beachside ennui.
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