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Having neurotypical people represent neurodiverse roles feels belittling to me. It reduces something so complicated, so nuanced, so weird and beautiful, into a personality trait. Suggesting that autism is a definitive personality trait that anyone can portray, even if they aren’t autistic, isn’t authentic representation.
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I viewed the West Coast as this social wonderland full of drugs, parties and sex, too foreign and intimate for a Southern gauche preteen to embrace.
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I cannot take these unapologetic misogynists of all genders, who are prevalent in Japan, silencing female voices anymore.
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While the script includes several clever lines and cheeky references, the overarching plot is too convenient for its own good.
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Universally celebrated for their sharp, socio-political commentary, their stories all, to varying degrees, revolve around a moderately sympathetic lower class violently rising up against the elite.
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For awards season fanatics, Monday’s nominations provided an early glimpse of what to expect in the upcoming months.
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Even Netflix is trying to get in the game — if you haven’t already seen from Timothée Chalamet’s bowl cut being aggressively touted on its website.
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On the eve of October and Domestic Violence Awareness Month, I saw the news of another domestic violence arrest: a woman claiming she called the police because she had been attacked, and then was surprised that she was the one being arrested.
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Everyone’s passion begins somewhere and evolves as they get older. My love affair with movies is a trilogy, and it started with Universal Studios.
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Run for the exits in disgust or fall for this manic pixie dream girl of a campy, supernatural thriller. Luca Guadagnino rebranded Dario Argento’s 1977 cult classic, “Suspiria,” in an exercise in Hollywood world building that’s about as polarizing as listening to your mate’s stories about gap year.
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