horror

Houses, like men, have bodies, as well as all assumed components: spines upholding them, limbs propelling them and rudimentary organs enriching them.

For a concept this compelling, “Totally Killer” never quite decides what kind of horror movie it wants to be.

Just as much as “Rouge” is a grotesque take on the beauty industry, it’s also a poignant representation of grief

It’s riveting seeing “The Last Voyage of the Demeter” take the reins and return to vampires as horrific undead creatures worthy of their fearsome reputation.

Rich with history, the documentary “Living With Chucky” offers an intimate inside view of the renowned series, and while it occasionally loses focus, the documentary celebrates the franchise and the hours upon hours of hard work that launched it to success.

“Swarm” needs convicted characters and innovative direction to achieve the acclaim or cultural revelation Glover and Nabers show reaches for.

“Don’t make a spectacle out of Black violence so you can get a few hundred likes and feel good about yourself. I’m not another one of your little paintings that you can fix up to perfection and cloak in a lie of sincerity.”

While “The Midnight Club” initially intrigues with a horror narrative following a cast of terminally ill patients, it unfortunately fumbles and falls flat compared to Flanagan’s previous works.

"Pearl" is worth seeing because Goth doesn’t stop at that wishful dreaming — as though she would’ve been a well-adjusted girl if only her Ma let her out once in a while. No, Pearl’s desire for more than what she has undoes her.

Boisterous yet also containing a light touch, the film manages to never betray its own characters for the sake of a cheap thrill or laugh.