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“Boston Strangler” is an enjoyable, atmospheric rendition of two women’s pursuit to discover the identity of the serial killer against the many, often sexist obstacles in their way.

Though populated with exasperating vernacular and bleak visual motifs, “Not Okay” chronicles a stimulating tale that leaves audiences entertained, upset and pensive all at once.

Only halfway through its second season, “Only Murders in the Building” has proved its solidity through fun new characters and ever-changing suspects in an enthralling murder case.

Hulu’s latest comedy “The Bear” serves up a mean and addicting plate of underdog kitchen drama that slices up the many layers of what it means to run a family restaurant.

Booster covers being the only Asian person at a P.F. Chang’s in Boise, the age-old dogs versus cats debate, Fleshlights and more — all in just one hour.

Though Rooney attempts to offer psychological and philosophical insights, such efforts fail through the medium of Oliver and Alwyn’s flat affection.

“Fresh” subverts the genre of the romantic comedy, a meet-cute turned meat-cute — a gruesome exploration of the physical and emotional degradation of a woman bound to a cannibal.

These emotional states evoked by Chastain are as potent an actor could desire from their observers, signaling possibly the most prominent talent in the industry today.

Considering the brevity of her work, how is it that Rooney has swiftly become this acclaimed literary sensation?

The three episode series surrounds the journey of the four self-proclaimed founders of the brand Von Dutch: Ed Boswell, Mike Cassel, Bobby Vaughn and Tonny Sorensen.