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To branch out from endless recommendations, here are some things people have been buzzing about recently that you can comfortably miss.
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Throughout “New Year, New You,” typical Hollywood horror cliches stand loud and clear. The power goes out in the house (more than once), a car breaks down, and someone visits the women warning of danger.
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“The Bisexual” provides a narrative undeniably needed and thus far untold that deals with bisexuality from a queer, rather than heterosexual, perspective — one based on the act of having to come out, once again, as an identity that feels “less” queer.
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We are presently in a golden age of television. It would be nearly impossible for one person to sort through all of the television at our fingertips and decide what is or isn’t the best. This is where the Emmy Awards come in.
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Margaret Atwood delivered this year’s On the Same Page keynote address, titled “The Handmaid’s Tale Escapes from Its Book.”
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After spending two years living in residence halls, I can say with certainty that some things are best left at home and others are necessities.
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Even for those of us with full-time internships over summer, there’s an odd sense that we’re somehow doing less than we are during the semester. With a little more than a month left to go this break, here’s how to spend that extra time needlessly stressing yourself out by learning the
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The show begs comparisons to both “Twin Peaks” and “American Horror Story,” which are echoed in “Castle Rock” by its adherence to a small-town mentality and a small cast.
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While most heads are turned toward which shows will be nominated, there are bound to be equally as many noteworthy snubs.
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My sitcom connoisseur training wheels were Disney Channel and Nickelodeon. I watched juvenile sitcoms with my sister, friends and my dad.
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