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However, most glaringly, anytime “The Suicide Squad” approaches the illusion of being good, its pacing and penchant for trumpeting its star-studded cast distract from its mission.
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We at the Clog respect *music lovers* for going to Coachella, but we can’t help but see that a weekend at Coachella is just like one at UC Berkeley.
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Sporadic incident can make for great pulp, but “Pacific Rim: Uprising” is too characterless to find worth in such wonkiness.
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Ultimately, just as the real-life Bloom presided over a chaotic overlapping of men’s egos, Chastain holds it all together despite the film’s weaker points.
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“The Dark Tower” is plagued by melodramatic slow-motion shots set to an overly saccharine soundtrack accompanying entirely unrealistic action sequences
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“My name is Madrid, but call me Maddy. A real JAP, a Japanese-Jewish American Princess.” So read the excruciating bio of my old Polyvore account, a social media platform where you make and share “sets,” digital clothing collages that showcase capitalism at its finest. In case there was any confusion,
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“Beasts of No Nation,” an immersive depiction of African child soldiers by Cary Joji Fukunaga, will leave you devastated. We follow a young boy, Agu, as he is ripped away from home and forced to join a ragtag rebel militia, NDF, featuring Idris Elba as their fearless commandant. Preceding the
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Somewhere in the world tonight, Michael Bay is crying himself to sleep. “Pacific Rim” is Guillermo del Toro’s monsters-versus-mechas spectacular. It is not a perfect movie, but it is an awe-inducing, jaw-dropping achievement in the visual qualities of the summer blockbuster. The film does not suffer from a slow start.
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