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On Thursday, get in the mood for Coheed and Cambria’s 6:30 p.m. show at Hearst Greek Theatre by watching the trailer for “Bohemian Rhapsody.”
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My problem are the themes these sci-fi pieces choose to grapple with — they’re digestible, bite-size questions of morality and existentialism.
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Nearly three years ago, while on a trip to London, I saw one of composer Hans Zimmer’s first live shows. I’ve listened to thousands of hours (literally) of his film scores, mainly from Christopher Nolan films. To say that I’m a fan is a bit of an understatement. So when
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Legends like Hans Zimmer and Kendrick Lamar are certain to draw massive crowds, but they aren’t the only artists taking over next week.
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Facebook recently started showing trailers that have been cropped to a square. This is awful, for both viewers and for the film industry.
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(“Photograph” by Arcade Fire is not available on Spotify) I’m not the biggest music person. I don’t really care for the most recent hot album. I have my set of indie rock songs from my early high school days and my momentary stages of EDM heavy listening, but the only
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Sci-fi, through its pushing of the boundaries of how real and computer-generated imagery can be synthesized, has a responsibility to get it right.
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It was his musicians that truly brought the show to life. But in doing so, they reminded us why Zimmer’s music is so affecting.
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Somehow, for every five BuzzFeed quiz results that are comically off, there will be one result that fits you a little too well.
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Having composed for more than 150 films, chances are that you’ve had a Hans Zimmer score stuck in your head at least once.
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